The ZS100 looks fairly similar to the LX100, Panasonic’s other
current premium compact. It has fairly clean lines, along with a step in
the top-plate. The camera will be available in black, or black and
silver finishes, with the black and silver version having a red band
around the small silver portion of the top-plate. This is a new styling
for Panasonic, so it will be interesting to see if this appears
elsewhere in the future.
On the front of the camera there’s no texture or grip, but there’s an
indent which helps the camera to sit nicely in your hand. Nevertheless,
it makes sense to attach the wrist strap to give an extra degree of
security.
Almost all of the ZS100’s buttons are grouped towards the right hand
side of the camera, making it easy to use one-handed. On top of the
camera are two large dials. One is an exposure mode dial which means you
can quickly switch between shooting modes (there’s a collection of
automated and scene modes, along with more advanced program, aperture
priority, shutter priority and manual options).
The second dial controls different functions depending on the
shooting mode you’re in. If you’re working in aperture priority, you can
use it to alter aperture, or shutter speed if in shutter priority. It’s
in a convenient position for your thumb and has a satisfying amount of
stiffness when you turn it.
There’s also a ring around the camera’s lens which, again, has a
different default function depending on the shooting mode. Both this and
the dial on top of the camera can be customised to change something
else if you prefer. There are also a further four function buttons
(marked Fn), which each have default functions, but can be changed to
suit a different purpose if you wish. There are five more “virtual”
function buttons, which are accessed via the touchscreen and are also
customisable.
The (physical) Fn3 button accesses the ZS100 / TZ100’s quick menu by
default. You can use this menu to move quickly between common settings,
such as ISO, metering and white balance. By default, two of the function
buttons are used to access the camera’s 4K photo modes.
Unlike the electronic viewfinder in Sony’s popular RX100 III and
RX100 IV compact cameras with 1-inch type sensors, the ZS100’s
electronic viewfinder is ready for action at any time that the camera is
powered up and it doesn’t need to be popped out for use. Furthermore,
there’s a sensor which automatically detects when the camera has been
lifted to your eye to switch on the viewfinder, and switch the screen
off. Although undoubtedly useful and a bonus on a pocketable compact
camera, the ZS100’s viewfinder is small, and while the image is clear
and sharp, because of its small size it’s unlikely you’ll want to use
the viewfinder for every shot.
The ZS100 / TZ100’s screen is touch-sensitive, which means you can
use it to set the focus point, simply tapping an area on the screen you
want to use (if you have 1-Area focusing selected). You can also use it
to navigate through and around the main menu and the function menu. If
you don’t like using touch screens, the good news is that everything can
also be controlled by a physical button, or a combination of buttons,
if you prefer.
In order to use the super fast shutter speeds that the electronic
shutter facilitates, you’ll need to change from mechanical shutter in
the camera’s main menu. Once you’ve done this, you can move past the
1/2000 fastest shutter speed offered by the mechanical shutter and reach
speeds up to 1/16000.
Autofocus
- 49-point AF
- Face/Eye detection
- Post-focus function
Lumix cameras have always delivered the goods when it comes to AF
speed, and the ZS100 / TZ100 is no different – in good light you can
expect the camera to lock-on quickly with almost no delay.
Even when the light levels drop, the ZS100 performs very well, though
the contrast-detect AF will start to struggle when light levels are
really poor – but that’s to be expected.
- The 10 best compact cameras
Performance
- 10fps burst shooting (6fps with continuous AF)
- Decent optical quality
- 300 shot battery life
The ZS100 / TZ100’s all-purpose metering system provides generally
accurate exposures, only failing slightly when photographing something
with areas of high contrast – but it’s no more than we would expect from
any camera. Similarly, the automatic white balance system copes well
when faced with different lighting conditions. Slightly warmer tones are
produced when photographing under artificial light, so if you’re
concerned with ultimate accuracy, either switch to a preset value or set
a custom white balance.
Detail is kept well throughout the ZS100’s optical zoom range, with
roughly the same amount of detail at the far reach of the telephoto zoom
as seen at the wide angle end.
The ability to shoot at 10 frames per second (fps) is pretty
impressive, while even with it dropping down to 6fps when you want to
use the ZS100’s continuous AF is nothing to be sniffed at.
At 300 shots, battery life is reasonable, but if you’re intending to
use the viewfinder quite a bit, this does drop to 240 shots, so if
you’re going to be away for a long weekend or longer, then it might be
worth thinking about investing in another battery.
Image quality
- ISO125-12,800, expandable to 80-25,600
- Can record plenty of detail
- Pleasing images straight from camera
As the ZS100 / TZ100 uses the same sensor as the FZ1000, we had high
hopes that image quality would be good. Happily, those hopes have been
borne out both by results from our labs and real-world images.
JPEG images display a great amount of vibrance and punch, without
straying too far into unrealistic territory, while the overall
impression of detail is fantastic.
At normal printing (A4 or smaller) or on-screen viewing sizes, the
ZS100’s images, have detail comparable with shots taken on cameras with
much larger sensors, such as the GF7 (which has a Four Thirds sensor).
And at 100% on screen, despite a little smoothing, it’s hard to tell the
ZS100’s low sensitivity JPEG images apart from the GF7’s.
Our lab tests indicate that the ZS100 / TZ100 competes very strongly
with the Sony RX100 IV and Canon G5 X, all of which have 1.0-inch type
sensors. For signal to noise ratio, the ZS100 beats the other cameras on
test throughout the ISO 100-800 range, and most significantly at
ISO200. From ISO 1600, the ZS100 is extremely closely matched to the
other cameras, while at ISO 3200, the ZS100 beats both the Sony and the
Canon.
It’s a slightly more complicated picture for the raw format files,
where at the lower end of the scale (ISO100-200) the ZS100 is beaten by
the Sony and Canon cameras, but from ISO800 right up to ISO12,800, it
beats all of the other cameras on test.
For dynamic range, the story is also a little more patchy. For JPEG
images taken at the lower end of the scale (ISO200-800), the ZS100 is
beaten by the Canon and Sony, but is still pretty good. At 1600, the
ZS100 is pretty much tied with the Sony and Canon, while at ISO3200, the
Canon beats the ZS100 very slightly, but the ZS100 beats the Sony. At
6400, all of the cameras are closely matched, but at 12800, the ZS100
wins out more significantly.
Looking at the raw format files, performance is particularly
impressive. Although at ISO200 it is beaten ever so slightly by the
Canon, from ISO 400 the ZS100 beats the other cameras on test, at times
by quite a significant margin.
In terms of resolution, we can use a combination of the labs test and
the real world images to make a judgement on how well detail is
resolved. At the low-medium end of the ISO run (ISO200-1600), the ZS100
is capable of matching Canon’s G5 X sensor, and is slightly worse than
Sony’s RX100 IV. However, at the higher end of the spectrum
(ISO3200-6400), it’s better than Canon and matches the Sony’s
capability, while at 12,800, the ZS100 is the best performer.
Looking at a corresponding raw file, it’s clear that the camera is
applying a fair amount of noise reduction to JPEG images. While that
noise reduction generally results in natural-looking, low-noise images,
if you’re photographing something particularly detailed, you may
appreciate the ability to bring that back by editing the raw format
files.
When all noise reduction is turned off, images taken at ISO3200 (see
shot above) and 6400 have visible chroma noise at 100%, but it’s fairly
evenly spread throughout the image and therefore easily tackled by noise
reduction software. Even without noise reduction being applied the
images still look decent at normal printing and viewing sizes.
Using the electronic shutter allows you to shoot at wide apertures in
bright sunlight – this image above has been taken with a 1/16000 sec
shutter speed.
- The 10 best cameras you can buy right now
Verdict
Panasonic takes aim squarely at the pocket-friendly 1.0-inch sensor
compact camera market with the ZS100 / TZ100, upping the stakes with a
10x optical zoom, something which other manufacturers haven’t yet
produced.
Although 1.0-inch sensors aren’t particularly new or exciting any
more, when you couple one with a 10x optical zoom, the resulting camera
becomes a much more flexible option which is bound to appeal to
travelling photographers looking for something high quality, but
convenient.
The ZS100 / TZ100 produces lovely JPEG images, while the raw format
images give you good scope to bring out extra detail should you need it.
The sensor happily competes with Sony and Canon, who have so far been
the big players in the 1.0-inch sensor market. The large sensor
facilitates decent low-light shooting, making it a good all-rounder
camera.
It’s also an enjoyable camera to use, with a good number of buttons
and dials, a very responsive touch sensitive screen and an (albeit
small) electronic viewfinder. There’s also inbuilt Wi-Fi and a range of
creative filters. It would perhaps have been nice to see a tilting or
articulating screen, but that may have added extra bulk, and certainly
extra cost to the camera.
Panasonic claims that it has created a new segment of the market with this camera, and it’s hard to disagree with that claim.
Competition
Panasonic Lumix ZS50 / TZ70
If you’re not that fussed about a 1.0-inch sensor, then the ZS50
(TZ70 outside the US) might be the camera for you. With a big 30x zoom,
auto and manual controls and the ability to shoot raw files – a big
bonus for keen photographers who want the best quality from a small
camera, there’s little to fault for the price. The ZS50 even squeezes in
an electronic viewfinder. It’s the Swiss Army Knife of travel cameras,
combining convenience, quality and control.
Read the full review: Panasonic Lumix ZS50 / TZ70
Panasonic Lumix LX10 / LX15
Panasonic’s answer to the RX100 series, the LX10 (known as the LX15
outside the US) is a very capable premium pocket compact camera. There’s
no EVF like the ZS100 / TZ100, but does benefit from a faster (if
shorter) zoom lens and more enthusiast-focused handling, making it a joy
to use.
Read the full review: Panasonic Lumix LX10 / LX15
Sony RX100 III
First things first, it doesn’t have such an impressive zoom, but the
24-70mm zoom is fast (f/1.8-2.8) and the viewfinder is that much bigger
that the ZS100 / TZ100. While the RX100 V is almost double the price,
this represents great value.
Read the full review: Sony RX100 III
- What camera should I buy?
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