Three anniversaries of ‘firsts’ have been in a state of convergence
for me this fall. Number one is my daughter’s first wedding anniversary.
The next is the fourth anniversary of my first visit to Utah. And, the
last one is the third anniversary of my first article being published
here at Photography Life. Each of them in their own way has caused me to
think about why many of us replace our camera gear on a frequent
basis…and quite likely do so needlessly.
NIKON 1 J5 + 10-100mm f/4-5.6 @ 40.6mm, ISO 160, 1/80, f/8.0
My daughter hired a professional wedding photographer for her special
day and it was a very wise decision. The images captured were simply
wonderful and they will serve as cherished memories for decades to come.
There were two things that stood out for me when watching this
professional photographer do her magic. The first was her precision, and
the second was the gear she was using. Like most wedding photographers
she used multiple camera bodies, each fitted with a different lens to
enable fast response. I took notice of the three camera bodies she was
using (I recently double checked this with the EXIF data on the images
she created) – a Canon 5D Mark III, an older 5D, and a Nikon D300S.
Regardless of the camera body used her work was stellar.
NIKON 1 J5 + 30-110mm f/3.8-5.6 @ 49.3mm, ISO 1600, 1/400, f/5.6, Deluxe Vello Extension Tubes
It was certainly an interesting experience for me to revisit a
location like Utah that I had photographed four years ago. Back in 2012 I
was shooting with what most people would consider much ‘better’ gear
than I used in 2016. Back then I had a Nikon D600 along with a D7000 and
a reasonable selection of Nikkor glass. After returning from our recent
photography tour I had the opportunity to not only go through my most
recent photographs, but also compare them to the images I created back
in 2012.
What hit me like a ton of bricks was how poor my 2012 images were.
Assessing photographs in large amount is a subjective exercise of
course, but nonetheless it was blatantly obvious to me that having
‘better’ camera gear back then certainly didn’t help me create ‘better’
images than I did on this most recent trip. In some cases as I perused
my older images the question that most often popped into my mind was,
“What the heck was I thinking?” Better sensors do not overcome bad
composition or a poorly executed image concept.
NIKON 1 J5 + 10-100mm f/4-5.6 @ 100mm, ISO 160, 1/640, f/5.6
Three years ago next month my first ever article appeared here on Photography Life – a hands-on
review of the Nikon 1 V2
that Nasim had asked me to write. Back then I owned a single Nikon 1 V2
with a few 1 Nikon lenses. I was using it on occasion for specific
captures with my client video work, and as an inexpensive tele-converter
of sorts with an FT-1 adapter, mainly with my
Nikkor 70-200mm f/4G VR
zoom. At that time I was in my infancy stage in terms of exploring the
V2 and all of its capabilities. Since the time of that first V2
article I made more investments in full frame gear, eventually ending up
with a
Nikon D800 and eight full frame lenses – all Nikkor other than the
Tamron 150-600mm.
Well, all of that full frame gear is long gone having been sold in
July 2015 after my youngest son’s wedding. I now shoot with Nikon 1 gear
exclusively. Three V2s, two J5s and a J4 thrown in for occasional
underwater fun with a WP-N3 housing. I have a pretty full compliment of 1
Nikon lenses that serve my needs well and I have absolutely no interest
in looking at any other camera format or system. Over the past 18
months or so I haven’t read even one camera body or lens review, nor do I
have any plans to do so. Quite frankly I don’t need any temptation to
rekindle my now very dormant GAS (gear acquisition syndrome).
NIKON 1 J5 + 10-100mm f/4-5.6 @ 100mm, ISO 160, 1/100, f/8.0
I’ve been thinking about why many of us replace our camera gear so
frequently. Heaven knows I’ve wasted a lot of money doing that over the
years. Most of the time it really isn’t because our old gear is no
longer capable or serviceable. My daughter’s professional wedding
photographer proved that in spades with the outstanding work she
produced using some older bodies. My V2s are still going strong and
doing a great job helping to keep my video clients satisfied.
It isn’t because most of us need new equipment with much better
technical specifications and performance. My own feeble attempts to
capture the spectacular scenery in Utah back in 2012 are proof of that
fact.
NIKON 1 J5 + 6.7-13mm f/3.5-5.6 @ 8.1mm, ISO 160, 1/160, f/8.0
Nope. A lot of it is emotion and ego. We get caught up in the thrill
of reading about new gear and the latest whiz-bang technical
advancements. And, we find that it is actually really easy to
rationalize the purchase of new camera gear. After all who wouldn’t want
these ‘to die for’ upgrades? The truth of the matter is that whenever
we make decisions in a highly charged emotional state (either negative
or positive emotions by-the-way) logic goes out the window.
I suppose it’s lucky that most professional photographers apply some
business acumen to their purchase decisions including cash flow
projections and return-on-investment calculations. Doing that can help
keep the GAS monster in check…at least a little bit. Regular consumers
likely fall prey to their emotions on a more frequent basis when it
comes to their GAS urges than do the pros…but perhaps not by as much as
we may think.
NIKON 1 J5 + 10-100mm f/4-5.6 @ 100mm, ISO 800, 1/1250, f/8.0
Ego does raise its ugly head more often than any of us would like to
admit when it comes to buying camera gear. And, its pretty easy to spot.
Just go to an airshow or to a popular birding site and watch
some owners of ‘big gun’ gear strut their stuff. Some individuals seem
to spend more time watching whos watching them and looking at their
‘impressive’ gear, than actually using it.
NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 5600, 1/80, f/5.6
I think the other reason that many of us replace our camera gear so
often is that it’s an easy cop-out and a way to gloss over our skill
sets. For many of us it’s so much easier to replace camera gear and
spend our time learning how to operate all of the new fangled features,
menus etc. than it is to actually work on improving our photographic
skill set. I know I did that unconsciously with my forays into full
frame camera ownership…so its likely that at least some of you have done
that as well.
NIKON 1 J5 + 30-110mm f/3.8-5.6 @ 41.2mm, ISO 3200, 1/20, f/5.0, 16mm Deluxe Vello Extension Tube
For the past eighteen months or so I’ve been trying hard…usually with
some success…to replace all of my GAS (gear acquisition syndrome) urges
with dedicated SAS (skill acquisition syndrome) efforts. Everyone’s
photographic interests may be different of course…and those interests
directly impact required skill sets. For me, it has meant learning to
effectively use a camera without an EVF. Practicing to shoot at
increasingly slower shutter speeds with my Nikon 1 J5s. Experimenting
and trying weird stuff with my existing gear like stacking 5 extension
tubes together then trying to photograph butterflies hand-held. And,
getting out of my comfort zone and trying to photograph different types
of subjects. Who knows…maybe all of this SAS focus will actually lead me
into photographing people some day…hmmm….I hope I live that long.
Article and all images Copyright 2015 and 2016 Thomas Stirr. All
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