Showing posts with label digital photography. Show all posts
Showing posts with label digital photography. Show all posts

Tuesday, November 1, 2016

Photographing Sovereign Nations with Respect

Photographing Sovereign Nations with Respect


One could say that it’s taken the last thirty years to gain a type of access to a sovereign nation that I’ve been privileged and honored to obtain. I say it’s taken that long for me to prove myself to a people that don’t take lightly to disrespect, and recall vivid memories of a time that people with my colored skin acted in unfathomable ways – and access is limited.

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Digital Photography Tips.

Saturday, October 29, 2016

Halloween Photo Tips & Techniques

1. Use a white light flashlight (the kind you’d take on a scout’s trip) to ‘light paint’ your scene and subject while using a long exposure (30 seconds, 1 minute or go for even more if the night is suitably dark, a 10 minute exposure will give you time to cover a lot of ground).
how to light halloween shots
Make sure you wear black head to toe if you intend to go in the ‘picture’ while doing the painting so that you don’t actually appear in the final product. This technique will work well on static shots but you can have human subjects as well, they just need to stand still while you ‘paint’ them. You can even use the same subject in more than one places in the same image, now that is spooky!
2. Use of flash lights from bellow your subject will give the impression of light coming from the ground. You can disguise the light in the scene with fallen leaves.
lighting a halloween photo from below
Light Your Subject from Below
3. If you plan to shoot a scene with a full moon, make sure the exposure is set right and add flashes. You don’t want the moon to be too overexposed (or seem like it’s moving) and your subject underexposed. Take test shots to see which exposure/ISO/aperture work best for your idea. Usually the exposure time should be pretty short, 1/125 to 1/50 or even 1/30 of a second. Aperture has to be set in accordance to the effect you’re looking for.
halloween photography tips
If you want to have depth of field, go for wider, but a more closed aperture will allow the moon to be clear as well. ISO will be set in accordance to the other two settings. Move the flashes around to make sure you give that 3D feeling to your photo and not end up with a flat looking image with the moon hanging from the sky, also, while doing this test which flash power setting to use as well. These will all be interdependent so be sure you get them right. Bring your laptop with you and check the images at full size to avoid unwanted and unnecessary surprises.
halloween portrait
Halloween Portrait Idea
4. Adding a flashlight behind your subject while using smoke or working on a particularly steamy night will give you long shadows and that eerie, spooky look you sometimes see in horror movies.
backlit halloween photo
Backlight Your Subject
Make sure that your subject does cover the light so that you don’t end up with unwanted flares instead of a nice silhouette.
About the Author:
Iona Grecu is a professional photographer at Dreamstime. She’s enjoyed photography ever since her father first introduced her to the world of arts as a child.

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Article from: PictureCorrect
The post Halloween Photo Tips & Techniques appeared first on PictureCorrect.
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Friday, October 28, 2016

8 Photography Training Tips You Can Do To Help Improve Your Work

Photography is like any other pastime or profession. You need to constantly improve your skills and work on areas where you feel there is room for improvement. It doesn’t matter if you are a pro or an amateur, you are never too good to learn. But people often find it difficult to improve their photography skills as you can get into a habit of a particular style or working in a specific way that becomes difficult to change. Here are a few training methods and ideas that can help you improve your photography.
training-methods-landscape-photography-kav-dadfar

1 – Only Use Prime Lenses

Prime lenses are ones that have a fixed focal length, unlike zoom lenses that allow you to change the focal length by zooming in or out. Although most people tend to avoid prime lenses simply because zoom lenses offer greater flexibility, the real benefit of prime lenses is that it means you have to actively move around to get the photo you want to capture. This often means moving in closer to your subject which also means you have to engage with them.
So next time you are heading out for the day to photograph, just take a prime lens with your camera and nothing else, so you are not tempted to switch half way through. You may learn a lot about yourself and your photography, and you might surprise yourself with the photos you come back with.
travel-photography-people-kav-dadfar
This photo was taken in Turkey with a 50mm prime lens.

2 – Photograph in the Worst Conditions

This is a bit of a contradiction because, as a photographer, you should always look to photograph everything in the best possible way and in the best possible light. However, as a way of training yourself to deal with different conditions, this is a great way to learn to adapt because sometimes you won’t have the luxury of time. If you are required to photograph something specific you may not get another chance so you would need to find a way around the problem.
training-methods-storm-landscape-photography-kav-dadfar
For example, if you are interested in photographing landscapes, go out at midday or cloudy weather when the conditions might not be ideal. This may mean that you won’t be able to capture the usual vistas that you would normally during the golden hour. So you will have to get creative find other things to capture that still tell the story.
Training-Methods-Travel-Landscape-Photography-Kav-Dadfar

3 – Take Limited Memory Card Space

One of the great advantages of digital photography is that you don’t have to worry about wasting film when taking a photo. Often with enough memory cards, you can capture as many photos as you want and still have room to spare. However, this has also led to people snapping away in the hope that one of the photos they have taken has turned out okay rather than thinking about each individual photo. If you could only take 24 photos in a day, you would be much more selective about when you click the shutter.
But this is also a great way to train yourself to really think about composition, lighting, and focus before taking a photo. Simply either take a small memory card that only holds a few photos, or set yourself a limit of 20 photos that you are allowed to come home with. You will have to delete one to add another when you have reached your limit.
You can then take this exercise further by replicating the days of film photography by not allowing yourself to delete anything, so when you have reached your limit, then that’s it. Do this enough times and you will become incredibly efficient in taking great photos.
training-methods-kav-dadfar-wildlife-photography

4 – Ask Someone Else to Give You an Assignment

Photographing for your own pleasure is completely different to photographing for a client. But trying to capture someone else’s vision, or photographing for a story can really help you improve your photography. Not only will you have to ensure that you capture their vision, but you also have to ensure to cover off everything on their shot list.
As an exercise, get a family member or friend to give you an assignment to photograph something in the genre that most interests you. Treat it as a real job and present the work to the person who has sent it. Remember that they are the client and they may not necessarily agree with you on some photos, but the exercise is in ensuring that you cover all the necessities of the job.
training-methods-food-photography-kav-dadfar

5 – Shoot Film

Imagine if you couldn’t review your photos on the back of your camera. How would you know if they were any good or if you had composed them properly? The answer is that you can’t until the film has been developed.
There’s no doubt that digital photography has made it much easier to capture great photos, but if you really want to test yourself as a photographer then using film is the ultimate test. Besides the fact that with film you can only shoot a limited number of photos, but because you can’t see the photos you have taken you have to rely on your instinct, eye, skill, and technical ability as a photographer to capture great photos.
Training-Methods-photography-city-london-kav-dadfar

6 – Work to a Time Limit

Another great way to improve your efficiency as a photographer is to set yourself a time limit. Give yourself a certain amount of time and you’ll suddenly become much more organized and efficient at getting around and doing things. You need to have an idea of what you want to photograph (i.e. photograph a specific market in an hour) and with practice, you will become faster and better at capturing great photos every time.
training-methods-sundial-travel-photography-london

7 – Try Something New

If you have been photographing for a while, you might find yourself falling into the tedious mindset of going through the motions and not really experimenting. One of the great things about photography is that everyone is different and has their own taste and style. So instead of doing the same thing every day, try something completely different for a while. If you are a wedding photographer, take landscapes, if you are a street photographer, photograph sports. Not only will you learn new skills, but you may also find that you find a new passion in something.
training-methods-wedding-photography-kav-dadfar

8 – Don’t do any Post-Production

There’s no doubt that every photo does benefit from some level of post-production. Sometimes that might just be cropping and straightening, other times to more extensive retouching and colour corrections. But a lot of photographers also use post-production as a get out of jail free card in that they take a photo with the thought of fixing it later in post-production.
But if you really want to improve your photography, you need to learn to take great photos, not create them. The reality is that a great photo should only need a small bit of post-production to enhance it. So set yourself a task of showcasing your work without doing any processing.
This will test you as a photographer and it will mean that you won’t be able to rely on that phrase, “I’ll fix it later in post-production”.
Here is a recent photo without any post production.
Here is a recent photo without any post-production.

Conclusion

Photography is a great profession to be involved in. Whether you are a seasoned pro or a beginner you should never stop learning and improving. These techniques are to test and push you. With enough hard work and dedication, not to mention practice, you will see vast improvements in your photography.
Do you have any training methods you would like to share? Tell us below.


The post 8 Photography Training Tips You Can Do To Help Improve Your Work by Kav Dadfar appeared first on Digital Photography School.

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Wednesday, October 26, 2016

Hilarious Short Film Makes a Strong Case for Unplugged Weddings


Hilarious Short Film Makes a Strong Case for Unplugged Weddings

We're all aware of the problems that come from wedding guests with DSLRs or an addiction to selfies, but perhaps never before has the issue been captured so succinctly and hilariously.

“Unplugged” simultaneously shows the frustration of the modern wedding photographer and makes a strong case for guests to sit down, put their cameras and phones away, and simply enjoy the ceremony, all while giving us a good chuckle in the process.


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Thursday, October 20, 2016

3 Tips for Creating Double Exposures In-Camera Using Flash


Have you ever wondered how double exposures are done in digital cameras? I have. Back in film days, we knew that to double expose a frame, all you needed to do is rewind it back to the frame you have just exposed, thereby taking two separate shots using one frame of the film. Nowadays with digital SLRs, there is no film to re-expose and no rewind mechanism to go back to a previous photo so you can re-shoot on top of it. However, double exposure and multiple exposures can be done in post-production quite easily. But this little tutorial will focus on how to take double exposure in-camera using a digital camera.

double-exposures-in-camera-tutorial

Equipment needed for double exposures

What you will need:
  • A tripod.
  • Your camera.
  • Remote trigger, receiver or transceiver.
  • Flash guns (speedlights) or strobes (one or two).
  • Some light modifiers (optional) such as umbrellas, softboxes, or octaboxes.
  • A backdrop or wall.
For my experiment below, I used two strobes mounted on stands and modified by gridded octaboxes. I used Paul Buff’s Cybersyncs for the wireless remote transceiver system. I also had three backdrops: one black, one beige and one patterned. See the image below for my studio setup and an iPhone picture of behind the scenes.

double-exposure-tutorial-in-camera

The camera and flash settings

The strobes were kept on a constant setting and I chose the lowest power. My ISO was also on the lowest setting (ISO 100) for most of the shots except for the f/16 ones where I cranked it up a little. The aperture varied between f/8 – f/16, depending on the look I was after and the length of my exposure. Shutter speed also varied between one second to a few seconds, to bulb. In other words, experiment until you get the look right.

How to take the double exposure

This is the trick. While the camera is exposing the image so that the shutter is open, keep triggering the flash. For these shots, I triggered the flash 2-4 times depending on the length of the exposure and how fast I could press the trigger button. The flash freezes the action so the more time the flash fires the more frozen actions you get on your image.
This leads us nicely to the first tip.

#1 Exaggerated movement is key

double-exposures-in-camera-tutorial

If your subject makes very small and minor movements, the likelihood is the images will sit on top of each other. This may result in one final image that looks like a blurry mess as in the photo above rather than many separate frozen images on a single photo as shown in the photo below. It is better to tell your subject to move distinctly away from the first position so the movements are separate. The camera still captures the trail of movement as a blur. But when you trigger the flash, that particular moment is rendered sharp and still.

double-exposures-in-camera-tutorial

I asked my kids to walk across the frame, counting each step and on a certain count to turn their heads. I would trigger the flash when they moved sideways or turned their heads. At other times I asked one of the children to only join the frame on the third flash so that there is only one of her that registers. I also got them to walk towards me (see photo at top of article). It was at that stage that I changed my aperture to the smallest my lens allowed, in this case, f/16 so that I could still get the head sharp at various depths of field.

double-exposures-in-camera-tutorial

In the photo below, I got my kids to shake their heads as fast and as many times as they could. I wanted the focus here to be the movement rather than their frozen faces. Don’t be afraid to experiment. The beauty of digital is that unlike film, you have an infinite number of frames at your disposal so can afford to make many mistakes until you get what you are looking for.

double-exposures-in-camera-tutorial

#2 A dark background is better

Compare the image above with the light background to the other images with the black background. The difference in the final image is vast. I prefer the dark background where my intention was to freeze several portraits and the lighter background where my focus was on capturing the trail of movements. Overall I shot and preferred more of the images with a dark background as the delineation between actions and the clarity of subjects are easier to see. Contrast between the skin and other lighter parts of the image was also easier to achieve compared to images shot with the beige background. In the photo below, I edited quite aggressively to get the contrast I wanted. I also added grain to simulate a film look.

double-exposures-in-camera-tutorial

#3 Experiment with materials and textures

Bring in other materials such as aluminum foil. This one here is an emergency blanket. Two of my kids stood on either side, held and waved the blanket up and down in front of the middle child so the slow shutter captured some of the movement of the foil. The kids also carried  a torch (flash light) and did some light painting. The problem I found with both photos was the blurry look of their faces. Because they did not do big movements with their bodies, hence the frozen photos captured by each flash just got stacked up in roughly the same spot. Other things you can use are glow sticks, flashing lights, moving lights, iPhone and iPad screens – pretty much anything that reflects or emits light.

double-exposures-in-camera-tutorial
double-exposures-in-camera-tutorial

Don’t be afraid to experiment with backgrounds too. In the photos below, I changed the background to a zebra striped black and white rug just because I wanted to see what would happen. I used the same movement techniques as above and the same camera and light settings but the results were very different and unique. The last image below was a happy accident. My third child popped her head up on the third flash, but she came closer to the camera than I had intended so the flash didn’t quite illuminate her face enough. However, I thought this looked really effective as it provided the gray tone of the image as well as a solid form in the middle thereby making the overall image more dynamic and interesting.

double-exposures-in-camera-tutorial
double-exposures-in-camera-tutorial
double-exposures-in-camera-tutorial

I hope you enjoyed this little tutorial on in-camera double exposures using flash. If you have more ideas, do share them here in the comments below!


The post 3 Tips for Creating Double Exposures In-Camera Using Flash by Lily Sawyer appeared first on Digital Photography School.

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Thursday, October 13, 2016

Is the GoPro Hero5 Black any Good for Photography?

 
 
My new GoPro Hero5 Black just arrived in the mail and the first firmware update has dropped as well.  This made for the perfect time to start testing my camera.  I headed out to an aquarium and science center for an afternoon with the kids to test out the camera’s lowlight, burst, and specialty modes.… 
 
Photofocus - by Richard Harrington 
 
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Thursday, October 6, 2016

Beginner’s Guide to Doing DSLR Video Clips

The video function on your camera is probably one that you don’t play with very often. It’s often disregarded – after all, DSLR cameras are not exclusively video cameras are they? But did you know that some big budget films, including The Avengers, have scenes shot on DSLR cameras? In fact, The Avengers used the [...]

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Pentax 645Z Review

Although the Pentax 645Z medium format DSLR has been out for a few years, I only had a chance to try it out earlier this year, during my trip to Death Valley. I have been wanting to try the 645Z for quite some time, since I heard so many good things about it. With medium [...]

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Wednesday, October 5, 2016

How Birds Can Help You Learn About Your Photography Journey

When you feel like you don’t know what to do, what’s the next step? Frustrating, isn’t it? I think wisdom is found anywhere, from renaissance statues to butterflies, and even birds. Speaking of which, here’s a weird photography insight that I got by observing them. Why birds are amazing Birds are really awesome. Well, I guess they [...]

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Gitzo updates Systematic tripod range with new materials, big feet and Easy Link sockets

Gitzo has introduced a new range of Systematic tripods that it says are more stable and stronger, and which feature new locking mechanisms for the leg sections. The latest models use what the company calls Carbon eXact for the leg tubing, which it claims offers improved ‘balance between rigidity and weight’. The Systematic range is […]

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5 Tips for Becoming More Instinctive With Portrait Photography

The main challenge with portrait photography is, without a doubt, producing a portrait that does not leave the subject looking rigid, anxious, or just simply uncomfortable. “Untitled” captured by MOTOKI Plasticboystudio A portrait photographer must gain his or her subject’s trust to help them loosen up and become actively involved in the sitting. The results […]

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Tuesday, October 4, 2016

European Cities in Infrared Spectrum

Over the last three years, I have been photographing cities with an IR-converted Nikon D80 DSLR while traveling on business trips. I am very fortunate that my job duties involve the administration of international projects, so I travel once or twice per month, mostly in Central Europe, but also in Western and Eastern Europe. Whenever […]

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2 Simple Methods for Adding Color to Your Images Using Photoshop

Most of us have experienced photographing an incredible sunrise or sunset only to get home and realize that the colors in your images are not nearly as good as the colors you witnessed with your own eyes. There can be many reasons to this, such as camera limitations or mistakes you made in the field. [...]

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Fstoppers Reviews the Phottix Mitros+ TTL Hotshoe Flash

When getting into flash photography, it’s easy to look at camera manufacturers' flagship flashes and assume they are the best you can get. When I first started out, I made this exact assumption. But I always wondered how some of the cheaper hotshoe flashes would hold up against these higher priced competitors. So I ordered [...]

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Monday, October 3, 2016

Step by Step Tutorial for How to Shoot Tethered

Tethered shooting is a photography technique that has been practiced by many professional photographers for years. In short, tethering allows you to connect your camera to a computer or tablet and almost instantly view your digital images on the device within seconds after it is captured. Due to expense and accessibility, tethered-shooting was generally reserved [...]

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Best Practices and Tips to Photograph Your Dog

Taking great photos is difficult at the best of times, however taking great photos of your pet dog can be a whole new challenge in itself. Taking pictures of animals is tricky because they won’t just sit or stand as they’re told. However, the secret to a great pet photo is really when you can [...]

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Sunday, October 2, 2016

Which Camera Settings Affect RAW Photos?

Most of us think we have a good understanding of the camera settings that affect your RAW photos — it seems like common sense. However, the more that you look into it, the more complicated that this topic gets. In fact, no matter how much you know about your camera, chances are good that you have a [...]

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9 Tips for Creating Great Street Portraits

I love taking street portraits. Whether the people you are photographing are posing or just going about their day-to-day life, humans are the most captivating, strange and interesting of subjects. Most of my portraits taken out on the street are shot with the permission of the subject. That’s my style. I love looking for people [...]

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Saturday, October 1, 2016

How to Remove Fungus from a Lens

How to Remove Fungus from a Lens   There’s nothing quite so frustrating as discovering a lens you own has developed a bad growth of fungus on the internal elements. Lens fungus is commonly found in older lenses. It is indiscriminate of brand, build-quality, or price tag. If humidity stays in your lens for too [...]

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Are Smartphones Threatening the Camera Industry?

As smartphones are getting better at capturing images year after year, one might be wondering when, if at all, we will see smartphones directly competing with larger cameras. Are we at the point, or perhaps might be soon approaching one, where it won’t make any sense to buy a high-end DSLR or a mirrorless camera [...]

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