Sunday, July 31, 2016

Two Batteries + Monopod 4K F60 WiFi 15fps Action Camera Full HD 1080P 2.0"LCD Diving 30M Go Waterproof pro Sport DV Camera

  • Additional Function: Support WIFI
  • is_customized: Yes
  • Screen Size: 2.0"
  • High Definition Support: 1080P (Full-HD)
  • Application: Outdoor Sport Activities
  • Package: Yes
  • Memory Card Type: MicroSD / TF
  • Launch Date: 2016
  • Sensor Size (inches): 1/2.88 inches
  • Optical Zoom: Fixed Focus
  • Image Resolution: 1080p
  • Built-in Memory Size: Non
  • Sensor Technology: CMOS
  • Image Stabilization: Electronic Image Stabilization
  • Touch Screen: No
  • Usage: Extreme Sports
  • Pixels: 6 million
  • Type: Sports Camera
  • Optical Zoom Supported: No
  • NightShot Function: No
  • Sensor Type: CMOS
  • Weight: 101g-150g
  • Model Number: F60
  • Brand Name: F60 wifi camera
  • Unit Type: piece
  • Package Weight: 0.500kg (1.10lb.)
  • Package Size: 9cm x 9cm x 9cm (3.54in x 3.54in x 3.54in)
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  • Unit Type: piece
  • Package Weight: 0.500kg (1.10lb.)
  • Package Size: 9cm x 9cm x 9cm (3.54in x 3.54in x 3.54in)
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Saturday, July 30, 2016

Canon Lens Zoom Telephoto EF 75-300mm f/4.0-5.6 III Autofocus Lens f/ EOS SLR Cameras

Nikon 105mm f/1.4E ED Announcement

Nikon has been on the roll in the past few years, releasing one amazing lens after another. We have seen a refresh of the f/1.8 prime lens line with some amazing optics, but those craving for more have been patiently waiting for a modern replacement of such lenses as the Nikon 105mm f/2 DC and Nikon 135mm f/2 DC, absolutely amazing and beautiful lenses in every way, capable of rendering stunning bokeh for portraiture. Well, the waiting for the first lens replacement is finally over, because today Nikon gave us something truly groundbreaking – the Nikon AF-S NIKKOR 105mm f/1.4E ED. While the de-focus control feature on the previous 105mm f/2 lens allowed one to modify the bokeh rendering of the lens, it would end up changing the field of view and it was a bit hard to get used to utilizing that feature effectively for many photographers. Plus, the maximum aperture of f/2 put it in competition with the superb Nikon 85mm f/1.4G (review soon to be updated), as the latter is a faster lens and has superb rendering capabilities wide open. For these and other reasons, many photographers having been choosing the 85mm f/1.4G over the 105mm f/2 DC for portraiture, while the 135mm f/2 DC remained untouched. Now that the 105mm f/1.4E is out, let’s talk about what is so amazing about this gem and why we can mark today as an important milestone in the history of lens making.

Nikon 105mm f/1.4E ED
First of all, the Nikon 105mm f/1.4E ED is world’s first 105mm lens with such a wide aperture of f/1.4. We have seen a number of f/1.4 telephoto lenses, but typically very few above 100mm focal length. It is technically challenging to optically design f/1.4 telephoto lenses without making lenses outrageously big and expensive. And yet Nikon engineers somehow found a way to make it happen – at 94.5mm x 106mm size and 985 grams of total weight, it is surely quite a bit heavier and a bit bulkier than the 105mm DC, but not by an unacceptable and impractical margin. It will be perfectly hand-holdable to take those yummy portraits! From the technical standpoint, this lens is beefed up with all the latest and greatest Nikon has to offer. Finally, we are now getting Nikon to make lenses with electronic diaphragms – the “E” letter designation after f/1.4 means that the lens will no longer use the mechanical lever on the back of the lens to set the lens aperture, but instead will be driven by the internal aperture adjustment mechanism. This is great news, because it means that you can expect the lens to yield consistent brightness when taking pictures stopped down, as there won’t be any room for error, even when shooting in fast continuous bursts. Like all other modern Nikkor lenses, the 105mm f/1.4E ED comes with Nano Crystal Coating to reduce ghosting and flare and yield those beautiful colors. The front lens is protected with fluorine coating to resist dust and water particles, making the lens easy to clean.
The Nikon 105mm f/1.4E ED has a total of 3 Extra-low Dispersion (ED) lens elements to correct lens aberrations, which means that the lens should be very sharp at all apertures, even wide open. Take a look at the below MTF chart of the 105mm f/1.4E (left), compared to the MTF chart of the 105mm f/2 DC (right):
Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF DC-NIKKOR 105mm f2D MTF Curve
Keep in mind that the MTF charts for the two lenses are for their wide open performance, so you are looking at the 105mm f/1.4E ED at f/1.4, versus 105mm f/2 DC at f/2. If you had a chance to read our article on reading MTF charts, you can probably tell how impressive the MTF chart on the 105mm f/1.4E ED looks. The lens has superb contrast – even better than on the 105mm f/2 DC, with superb center to mid-frame performance and slightly weaker performance towards the edges of the frame. Sharpness-wise, it has amazing resolving power wide open and only slightly worse performance in the extreme edges of the frame, which are not important for a portrait lens anyway.
What about comparing the 105mm f/1.4E optically to the legendary 85mm f/1.4G? Let’s take a look (Left: 105mm f/1.4E, Right: 85mm f/1.4G):
Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF-S NIKKOR 85mm f/1.4G MTF chart
Personally, I have never met a person who was displeased with the sharpness of the Nikon 85mm f/1.4G, as it shines at every aperture. Even if it is a tiny bit softer wide open, the sharpness does not really matter, as the creamy bokeh it yields makes up for the difference. Still, you can see that the new 105mm f/1.4G will be better than the 85mm f/1.4G both in terms of contrast and sharpness, which is not something I expected to see. And considering how relatively close and similar in shape the straight and dotted lines are (sagittal vs meridional), we can expect absolutely amazing bokeh!
Speaking of bokeh, take a look at the below sample images provided by Nikon:
Nikon 105mm f/1.4E ED Lens Image Sample (1)
Nikon 105mm f/1.4E ED Lens Image Sample (2) Nikon 105mm f/1.4E ED Lens Image Sample (3) Nikon 105mm f/1.4E ED Lens Image Sample (4)
As you can see, the lens will be a visual stunner in every way. An instant classic, a dream of a lens. Despite its high price tag of $ 2199, I have already placed a pre-order for it, as it will be worth the investment. I sold off many of my Nikkor lenses that I have not been using, but the two lenses I will never sell are the 85mm f/1.4G and 85mm f/1.8G, as both are the workhorse lenses for both myself and my wife. John and I have been using these lenses for filming our video tutorials as well and they never disappoint – whether we film in low-light indoor or outdoor conditions. After I sold my 70-200mm f/2.8G VR II (it was way too heavy for me), which I absolutely loved for its amazing sharpness and versatility, I have been missing the longer focal lengths and the ability to further isolate subjects from the background.
The only downside is lack of image stabilization / VR. Considering that VR takes a bit more space within the lens and can potentially affect bokeh, I can see why Nikon decided to exclude it from the lens. However, it would have been nice to have a stabilized 105mm f/1.4! I still hope that Nikon will someday announce in-body image stabilization (IBIS) in its DSLRs…

Pre-Order Options

Despite its high cost, this lens will be in demand as soon as it becomes available. I know that most of my pro peers will be pre-ordering this lens, so I expect to see some wait time while Nikon tries to fulfill all the pre-orders. If you want yours as soon as possible, I would place a pre-order now. Better yet, if you are an NPS member, make sure to notify NPS as soon as you place your pre-order. Nikon has already sent out emails to NPS members, where they detail the process. First, you need to place a pre-order (hopefully using the below links to support us), then you submit the request to NPS via the link provided in the email. You can also sign in to NikonPro.com and submit the request from there.
Here are the pre-order options for our affiliate partners, B&H Photo Video, Adorama and Amazon:
  1. Pre-Order Nikon 105mm f/1.4E ED via B&H Photo Video for $ 2.199.95
  2. Pre-Order Nikon 105mm f/1.4E ED via Adorama for $ 2.199.95
  3. Pre-Order Nikon 105mm f/1.4E ED via Amazon for $ 2,199.95
The post Nikon 105mm f/1.4E ED Announcement appeared first on Photography Life.
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Pushing the Use of Zoom Lenses on the DJI Inspire

Pushing the Use of Zoom Lenses on the DJI Inspire

As I continue to dwell about upgrading my drone and having more creative freedom and quality with the Zenmuse X5 and choice of lenses, I am stuck thinking about all the content that I could be out creating with these amazing tools.

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Friday, July 29, 2016

Dazzling images from the Astronomy Photographer of the Year 2016 shortlist

Astronomy Photographer of the Year 2016 shortlist

Flash Point © Brad Goldpaint (USA)

The Perseid Meteor Shower shoots across the sky in the early hours of August 13, 2015, appearing to cascade from Mount Shasta in California, USA. The composite image features roughly 65 meteors captured by the photographer between 12:30am and 4:30am.

The Royal Museums Greenwich has announced the shortlist for its eighth annual Insight Astronomy Photographer of the Year competition. More than 4500 entries were received from over 80 countries; winners will be announced on September 15, with winning images going into a free exhibition at the Royal Observatory. One overall winner will walk away with £10,000, and runners-up will take home £500 each. 

Here are just a handful of the more than 130 images that made the shortlist – head to the Royal Museums Greenwich site to learn more about the competition.

Astronomy Photographer of the Year 2016 shortlist

Seven Magic Points © Rune Engebø (Norway)

The rusty red swirls of the circular, iron sculpture Seven Magic Points in Brattebergan, Norway mirror the rippling aurora above.

Astronomy Photographer of the Year 2016 shortlist

Frozen Giant © Nicholas Roemmelt (Germany)

The celestial curve of the Milky Way joins with the light of a stargazer’s headlamp to form a monumental arch over the Cimon della Pella in the heart of the Dolomites mountain range in northeastern Italy.

Astronomy Photographer of the Year 2016 shortlist

M8: Lagoon Nebula © Ivan Eder (Hungary)

New stars are formed in the undulating clouds of M8, also commonly referred to as the Lagoon Nebula, situated some 5,000 light years from our planet.

Astronomy Photographer of the Year 2016 shortlist

Parallel Mountains © Sean Goebel (USA)

The shadow of Manua Kea, the highest peak in the state of Hawaii, is projected by the rising sun over the volcano, Hualalai, whilst the Full Moon soars above them, higher again.

Astronomy Photographer of the Year 2016 shortlist

Northern Lights over Jokulsarlon, Iceland © Giles Rocholl (UK)

A couple takes in the awe-inspiring sight of the Northern Lights streaking across the night sky over the lagoon at Jokulsarlon, Iceland on Valentine’s night of 2016.

Astronomy Photographer of the Year 2016 shortlist

Just Missed the Bullseye © Scott Carnie-Bronca (Australia)

The International Space Station (ISS) appears to pierce a path across the radiant, concentric star trails seemingly spinning over the silhouettes of the trees in Harrogate, South Australia.

Astronomy Photographer of the Year 2016 shortlist

Painted Hills © Nicholas Roemmelt (Germany)

With very little light pollution, the glimmering stars of the Milky Way bathe the colourful layers of the Painted Hills of Oregon in a natural glow.

Astronomy Photographer of the Year 2016 shortlist

Antarctic Space Station © Richard Inman (UK)

A view of the Halley 6 Research Station situated on the Brunt Ice Shelf, Antarctica, which is believed to be the closest thing you can get to living in space without leaving Earth, making it perfect to be used for research by the European Space Agency. As the Sun’s light dissipates into the horizon, the aurora can be seen swirling overhead.

Articles: Digital Photography Review (dpreview.com)

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13 Habits of Highly Effective Photographers

Effective photographers…

  1. Don’t expect their camera to do all the work. This means saying goodbye to ‘Auto’ and bravely using other modes such as Aperture Priority or Manual.
  2. Read the camera manual—several times—to get familiar with their gear.
  3. Gradually work through various functions and features on their camera.
  4. Take control of their camera, and the lighting conditions they are faced with.
  5. Understand that pressing the shutter is only half of making a good photograph. Modern cameras are no match for the human eye, and still have lots of limitations, especially in low light situations. Post-processing has been done since the invention of photography (either in a traditional darkroom or on a computer). This is where you polish your final images, and make adjustments to compensate for the constraints of the camera.
editing in lightroom

photo by betancourt

  1. Select and present only the very best images from a photo shoot.
  2. Store a back-up copy of their images onto an external hard drive, or somewhere safe.
  3. Publish photographs, so they aren’t destined to die on a dusty hard drive, unseen by the world.
  4. Share their work to get constructive feedback from peers (via online galleries such as 500px, Flickr, Google Photos, Instagram or a Facebook group).
  5. Present their images as a means of self-expression—their contribution to recording the world, from their point of view (e.g. framed photos, greeting cards, calendars, art galleries, photo books, or merely as prints inside a simple photo album).
  6.  Get inspiration from other photographers they admire. Read eBooks, magazines, blog posts, look at Facebook posts, or view YouTube videos. Visit galleries, take workshops or go on a photography tour to learn from a more experienced shooter.
photo exhibit

photo by Elvert Barnes

  1. Travel in search of fresh subject matter; this could be interesting locations or photogenic people. On a micro level, they use their feet to find fresh angles and perspectives – they ‘work the scene’, and don’t just settle on the first composition they see. On a macro level, they visit exotic or remote locations away from home, opening their eyes to new possibilities.
  2. Avoid shooting clichés, looking for a new take on well-photographed subjects.
hdr puddle reflection

photo by b k

In summary, you can be a more effective photographer by educating yourself, embracing challenges, and becoming proactive.

Thomas Edison once said that “genius is one percent inspiration, and 99 percent perspiration.” The one thing that will greatly improve your photography is practice… lots of practice. Go for it!

About the Author:
Written by Ray Salisbury. This article is part of a 28-page eBook (Jumpstart Your Photography), designed to educate & inspire beginning photographers.

Go to full article: 13 Habits of Highly Effective Photographers

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Article from: PictureCorrect

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Wednesday, July 27, 2016

Postcard From Eastern Europe

Well, it was a pretty long drive back but my friend and I made excellent time. From Eastern Slovakia (where most of these shots are from) through the Czech Republic (where my friend is from), Germany, Holland, Belgium, France and then finally back home in the UK, we made it back home in just over 15 hours. And when you’re speeding along endless miles of motorways that all look the same there isn’t much opportunity to shoot anything.

1

But we weren’t there for that. In between the wine tasting and beer drinking and cigar smoking and flirting and… everything thereafter, there wasn’t much time or inclination to take photos of one’s surroundings, stunning as they were. A reminder that one should and can actually enjoy a vacation without having a photographic imaging device permanently strapped to one’s hands and face.

2

4

Having said that Eastern Europe, particularly around Stara Lubovna in Eastern Slovakia, was irresistibly beautiful, with the High Tatras Mountains accompanying us alongside in the near distance. I couldn’t help but overcome my fatigue and my reluctance and take a few shots.

5

6

I’m sure many people will insist that landscapes must be shot during the ‘golden hour’ light around sunrise or sunset, but I’m also sure those same people probably never actually go out and shoot anything. A beautiful landscape is beautiful in any light and it must surely be up to the photographer to creatively present it as such. I’m not claiming to have succeeded here, of course, but one is obliged to try and extract a scene’s potential.

7

8

As well as some spectacular geography Eastern Europe has no end of old fortresses and castles dotted around its undulating terrain. Stara Lubovna Castle below was literally the view from another friend’s bedroom window. In fact it was neatly framed by her window, which made the composition easy for me, but I decided not to include that frame in the shot.

11

Stara Lubovna Castle.

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9

Keeping to our return schedule meant taking opportunistic shots from the car between bouts of laughing or sleeping, no simple feat with entire families of insects splattered over the windshield only to be cleaned off by random downpours of torrential rain under a frightening lightning storm. Plus I had to get my lethargic feet of the dash. Shooting from the passenger seat is something I had done before sitting next to either Nasim or John Bosley in Colorado so I didn’t have any aversion to it. The road gives you a convenient leading line into the distance making composition easy.

12

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Somewhere in Germany. I had just woken up.

But still, I hope these few snapshots will at least hint at the tip of Eastern Europe’s mountains of beauty and perhaps encourage others to go out there to visit, and unlike ourselves, with the intention of capturing its spectacle. Stara Lubovna in particular is worth stopping at to marvel at the High Tatras Mountains.

8a

Six image panorama of the High Tatras Mountains, quickly stitched in Photoshop.

These were all shot with either the Olympus 12-40mm f/2.8 or 60mm f/2.8 (a macro lens no less) mounted on my aging but seasoned E-M5. Shot in Aperture priority around f/4 or f/5 (depth of field is greater at any given aperture on M4/3), ISO 200 and varying shutter speeds selected by the camera. The images were processed in Lightroom to my personal taste and in my postcard style. I realise many of you will dislike that style but of course you are free to present your own.

Speeding Home!

It has been a pleasure to contribute to Photography Life and as always I wish everyone the very best in all your photographic endeavours.

“And so the adventure continues….

Warm Regards,
Sharif.

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Nikon’s New AF-S Nikkor 105mm f/1.4E ED Lens Is Probably the New Bokeh King

Nikon has announced the AF-S 105mm f/1.4E ED. Yes, that wide aperture is real. And yes, at $ 2,196.95, it’s as expensive as anyone thought it might be. The good news is that optical quality is supposed to be at the top of its segment. With a relatively long focal length of 105mm, the f/1.4 maximum aperture is impressive regardless of the price. Also featuring Nikon’s latest nano and fluorine coatings, this is bound to be a new favorite lens for many portrait and wedding photographers.

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